Thursday, July 28, 2011

Weekend Listomania: Special It's Still Rock & Roll To Me Audio/Video Edition

Well, it's Friday and you know what that means. Yes, my Oriental manual catharsis specialist Fah Lo Suee and I are off to...well, actually, truth is we're not going anywhere due to a bizarre picture-hanging accident that I'd really rather not get into, except to say "If you drink, don't drill."

In any case, things are still probably going to be quiet around here for the duration of the weekend, so until Monday rolls around, here's a fun little project to help us wile away the idle hours:

Favorite or Least Favorite Pop-Rock Single or Album Cut of the Skinny Tie Band Era

No arbitrary rules, although we're obviously talking about the immediate post-First Generation Punk period, roughly from the late 70s to 1983 or '84.

And my totally top of my head Top Six is/are:

6. The Brains -- Money Changes Everything




The original indie single, not the remake on the Brains' album. I'm not a huge fan of Cyndi Lauper's more familiar version, but she knew a great song when she heard one. [h/t Sal Nunziato]

5. Tommy Tutone -- Angel Say No




Yes, these guys actually were Two Hit Wonders, and this is the one that doesn't have a phone mumber in the title. If truth be told, I've always preferred it.

4. Nick Lowe -- She Don't Love Nobody




A wonderful John Hiatt song (Chris Hillman's Desert Rose Band had a country hit with it, and deservedly) and probably my favorite Nick Lowe record that Nick didn't write himself.

3. Missing Persons -- Destination Unknown



Yes, I know the drummer played with Zappa and yes, Dale had a nice rack. The music, however, remains mannered pretentious crap and a cliche at birth. IMHO.

2. Gary U.S. Bonds -- Out of Work



One of the countless great pop tunes Bruce Springsteen gave away back in the day, and one of my long-time faves.

And the Numero Uno steaming pile of crap from those Fabulous Eighties simply has to be...

1. Quarterflash -- Harden My Heart



A thoroughly awful record, obviously, and sweet Jeebus, Rindy Ross has to be the lamest sax player in music history.

Alrighty, then -- what would your choices be?