Combining the deadpan wit of the Bonzo Dog Band and the social-conscious lyricism of the Kinks, Dead Sea Fruit helped to bring the British Invasion of the 1960s to France. Formed in 1966, the group spent three years based in Paris thrilling French audiences with their hook-laden songs. Although all but two members relocated to Dakar, Senegal, electric bassist/guitarist/vocalist Arthur Marsh, who had replaced founding member Christopher Hall in early 1967, returned to England after three months when club owners demanded that they stick to cover tunes. Dead Sea Fruit reached their apex in 1967, when their tongue-in-jowl single, "Lulu, Put Another Record On," reached the top position on the British music charts. Their self-titled album was released the same year.
Of course, I said the same thing when I chanced across the All-Music blurb for The Monks back in the early 90s. Heh. In any case, I just can't figure how I never heard of an actual Brit band that actually had a Number One record during the actual Summer of Love, but it turns out the DSF really were for real. Here's the aforementioned hit "Lulu," a borderline annoying old-timey vaudeville pastiche which has nevertheless been burrowing its way into my cerebellum since I first downloaded it on Friday.
In case you're wondering from whence the band name derives, it's from The Fire Worshippers, a fairly obscure poem by Thomas Moore, a 19th century Irish writer who is apparently best remembered as a pal of Lord Byron; the complete quote is "Like Dead Sea fruit that tempt the eye, but turn to ashes on the lips." I learned this, and you can learn a bit more, from the band's official website (and frankly, I'm amazed that there is, in fact, an official Dead Sea Fruit website).
And here's another album cut (also the b-side of "Lulu") that I rather like -- the charmingly period monikered "Kensington High Street."
Hey -- I'm a sucker for any record with an instrumental quote from "Jesu, Joy of Man's Desiring." Not to mention the "hey!"'s from "Five O'Clock World."
And two postscripts: Apparently, the British indie Camp Records, which was home to the Fruit, had nothing to do with the explicitly gay-themed American underground label of the same era. A little Googling also revealed that although the Fruit's album was never released in the states, the "Lulu" single was actually available here on Atco. It thus has something in common with the Who's epochal "Substitute." also released in the states on Atco during that rather remarkable summer of 1967.
